VISITS

Showing posts with label shodfriars. Show all posts
Showing posts with label shodfriars. Show all posts

Sunday, 23 September 2012

September snippets.




This building, near Goodbarn's Yard in Wormgate, was once owned by the Barnard family and the large arch gave access to a riverside wharf. The family were brewers and owned a lot of public houses. They were also merchants who opened a bank in the 1790's but on 27 June 1814 they became the first bank in Boston to fail.

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An old football programme advertising many forgotten Boston businesses including the Spick 'n' Span cafe, the Loggerheads pub and Cream Line Taxi's.

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A cigarette card issued by Ogden's, a branch of the Imperial Tobacco Co. and showing Shodfriars Hall Boston.

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An unusual view of Boston Market Place showing a flag flying from the top of the Stump.

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Wednesday, 25 July 2012

Around Boston. Old Mother Riley.

Arthur Lucan, was born Arthur Towle, the third of seven children, on 16th September 1885 in Sibsey, a village 5 miles from Boston. He moved to Boston with his family when he was five years old and attended school in Boston.


Arthur, second from left back row, when he was at Boston National School in Pump Square, Boston.

It was at Shodfriars Hall, which housed a theatre, within sight of his home, where the young Arthur Towle first trod the boards. Initially, his job involved sweeping the stage and selling programs.


Shodfriars Theatre.

However, a serious epidemic of measles resulted in the young Arthur being asked to play a minor part. In 1899 he eventually managed to secure an onstage roll at the nearby Corn Exchange in the Market Place.


Above: The Corn Exchange, Boston.

Below: The Corn Exchange was situated at the rear of the buildings in the Market Place and was reached by an archway (see below) which still exists today at the side of the present (2012) site of Marks and Spencers.


After seeing a Pierrot show in nearby Skegness around 1901, the restless young Arthur joined a traveling troupe, "The Musical Cliftons." His formative years were spent learning his craft around England and Ireland. Whilst he enjoyed his time with them he yearned for the warmth and comfort of the static theatre. To this end, in 1910 he managed to secure a pantomime – Little Red Riding Hood – at the Queen’s Theatre, Dublin, by literally writing the script overnight, with himself playing the role of Granny. The title role in the pantomime had been given to a beautiful thirteen year old raven haired brown eyed local girl, Catherine "Kitty" McShane.

The couple fell in love, and against Kitty’s parents wishes, they were married in Dublin in 1913. Arthur was twenty eight and Kitty, only sixteen. Around this time, Arthur Towle changed his stage name to ‘Arthur Lucan’, after spotting a Dublin horse-drawn milk float with the words "LUCAN DAIRIES" on the side. ‘Lucan and McShane’ went on to develop one of most popular British musical hall, radio and film comedy double acts of all time – "Old Mother Riley and her daughter Kitty", forging a show business career spanning over forty years.


After their marriage, the couple honed their act, playing down the bill in numerous variety theatres across Britain. Arthur wrote the material and Kitty performed the musical numbers. The gangly Old Mother Riley dame character was usually a charwoman or laundress. With the aid of her headstrong daughter, Kitty, the comedy came from Mother Riley’s absurd predicaments, eccentric ways, facial and bodily contortions, and malapropism-filled tirades against all who displeased her, seasoned with "knockabout" slapstick. The character was extremely popular with children.

In the early 1920s Lucan & McShane’s hard work paid off, and in 1923 they undertook a successful overseas tour playing in South Africa, New Zealand and Australia. For the next ten years they continued to play the variety halls, now topping the bill. In 1934 an appearance on the Royal Command Performance established their popularity and celebrity status and in 1936, the couple’s famous sketch "Bridget’s Night Out’ was filmed for ‘Stars On Parade’ – a compilation film of British music hall acts of the time, including Gracie Fields and George Formby.

After appearing in minor roles in the film ‘ Kathleen Mavoureen’ (1937), a musical tale set in Ireland, the couple was approached to star in their own film, ‘Old Mother Riley’ (1937). The film, which was cheaply made (it cost £2,000, and took six weeks to shoot) was based around their famous music hall sketch ‘The Matchseller’. The film was a box office success and another quickly followed, ‘Old Mother Riley in Paris’ (1938). This film was based on another sketch; ‘The Stepwasher’ and it repeated the box office success of the first film. Another thirteen ‘Old Mother Riley’ films were to follow between 1939 and 1952. The couple also found time to tour South Africa in pantomime, make numerous radio appearances for the BBC and also record a number of discs for Columbia. They also featured in their own comic strip.

The last film in the ‘Old Mother Riley’ series, ‘Old Mother Riley Meets the Vampire’(1952) is perhaps the most well know, mainly for the bizarre casting of Bela Lugosi in an attempt to appeal to the American market. Whilst the ‘Old Mother Riley’ films were hugely popular in Britain, the Americans found the dame character and British humour not to their taste and this film was no exception. The film was made without Kitty, her part being played by Dora Bryan. The Lucian’s marriage had disintegrated due to Kitty’s infidelity and Arthur’s increasing drink problem. At the time of filming Arthur had serious money problems and was eventually forced into bankruptcy by Kitty’s profligate spending. Lugosi, who had been touring the UK in the play ‘ Dracula’, needed the money (he was paid US$5,000 plus living expenses for four weeks work on the film) in order to return back to the USA.

In the film Lugosi plays a mad scientist (Von Housen) – not a vampire – who is trying to take over the world with army of robots. After a series of comic misadventures Mother Riley saves the day. The film also featured well known British actors Richard Wattis, Graham Moffat, Hattie Jacques, Dandy Nichols and Charles Lloyd Pack, grandfather of ‘Wish You Were Here’ actress Emily Lloyd, and father of Roger Lloyd Pack who played ‘Trigger’ in the TV comedy ‘Only Fools And Horses’. Because the film was considered "too British", the American distributors had planned to edit out all of the footage featuring Arthur Lucan and re-shoot more scenes featuring Lugosi. However, by this time Lugosi was very ill and gaunt looking, so the idea was abandoned. The film was released under various titles in the States, the most well known one being ‘My Son The Vampire’, which featured some re-shot scenes and an introductory song by comedy singer Allan "Camp Granada" Sherman. Despite these changes, the film still remained a commercial failure across the Atlantic.

Arthur continued to make stage appearances across the country to pay off his creditors, chiefly the Inland Revenue. He collapsed and died in the wings of the Tivoli Theatre in Kingston-upon-Hull on 17th May 1954, whilst waiting for his cue to go on stage. In true music hall tradition of "the show must go on", the performance went ahead with an understudy playing the lead part. The audience was totally unaware of developments backstage, and only learned the tragic news after the performance.

Kitty McShane outlived her husband by nearly ten years. She died alone in her Mayfair flat in March 1964.

Saturday, 5 March 2011

The Seed Huts

The seed huts, or agricultural merchant’s huts, used to be wheeled into the town centre on market days. They had been a familiar sight for years and it was here that the merchant’s did their trading - but not everyone liked this link to Boston’s historic past. In August 1961 the residents of Sibsey Lane were angry and worried. Angry because they were woken up at half past four every Wednesday morning by clanking, squeaking and shouting as the huts were moved from their store yard at the bottom of the lane to the Market Place and worried because recently one of the huts had caused an accident where both the driver and an assistant from the butchers shop at the top of the lane had to be taken to hospital.

The Huts in the Market Place.
In 1961 it had only been fairly recently that the huts had been kept in Sibsey Lane, they used to be stored in the Peacock and Royal Hotel yard and once upon a time they were brought up to the market along Shodfriar’s Lane, which bothered no one, so people were asking why couldn’t Shodfriars Lane be used again instead of the narrower Sibsey Lane.

The Huts, the Still pub can be seen on the right.

Mr. A. Lawton, who had an office in Sibsey Lane described the noise when the huts are brought back from the market at about half past four in the afternoon as shocking and said “The row created by unoiled wheels and creaking shafts makes it impossible to speak on the telephone”.
Mr. and Mrs. Musson, who lived in cottages opposite said they were woken up soon after four‘o’clock every Wednesday morning by an unearthly row, and the whole house and everything in it begins to tremble - including their bed! There were about thirty huts they said and what with the noise of the horses, the driver shouting and the iron wheels - which sounded as though they had never been greased - the row goes on for about three hours.
Mr. S. Swift, who had a butchers shop at the top of the lane was furious about the way the huts were moved and said that one of them had recently smashed into the front of Shodfriars Hall and both the driver Jack Goddard and one of Mr. Swift’s assistants Robert Rogers had to be taken to hospital.

Mr. Swift's butcher's shop can be seen centre right, at the top of Sibsey Lane.

Mr. and Mrs. Locking, both in their eighties, lived at the bottom of the lane and got the worse of the noise, they both agreed that it would be better if they had rubber wheels instead of iron ones.
Mr. J. O’Hara, who had a betting shop in Sibsey Lane drew up a petition signed by 11 people and sent it to the Corporation but he was told that it was not their problem and should be sent to the Highways Committee.
What the outcome was and what happened to the huts I don’t know, I remember them in the Market Place well into the late sixties but, like so much of old Boston, one day you look and it’s not there any more.

Sunday, 16 January 2011

Homes of our Forefathers

I came across an old book entitled “Homes of our Forefathers” which was printed in 1889. It was written by an American called Edwin Whitefield from Boston Massachusetts who visited Boston U.K. for the special purpose of “sketching and hunting up whatever there might be of interest in the Boston which gave its name to our own city” Below are the 21 sketches he made.
An old house in Archer Lane, off Wormgate. Now demolished.

The Bell Inn, on the site of the present Stump and Candle pub.

Blackfriars, now a theatre.

Burton Corner is at the junction of Sibsey Road / Wainfleet Road.

At the end of Wormgate, opposite the Stump.

Near the Stump, building is now vacant, its last use was a shop called "Spooky's"

Now demolished.

The Grammar school.

The Guildhall.

Better known as Gysors Hall, was next to the Magnet Tavern in South Square. Now demolished.

Formerly stood on the west side of the road leading to the sluice near the west end of North Street.
Tradition reports this building to have been erected with the stones taken from the church of St. John of Jerusalem; a stone in the northern gable of the house bore the date 1659, and the initials W.E.R.
Heron's Hall was taken down in 1811.(Pishey Thompson). Now demolished.



or HusseyTower as it is better known.

The caption for this picture said, "This is a portion of a large house which is believed to have been built by a Flemish merchant in the reign of Edward I. The initials E.R. (Edward Rex) are plainly marked on the gable."
I think this may be Pescod Hall.

Pishey Thompson says "The site of the hospital of St John was on the west side of Maud Foster or Bargate Drain, immediately opposite to Hospital Bridge. There is nothing remaining of the hospital, except an old house, called Jerusalem House, but which appears to have been built from the materials of the ancient hospital, rather than to have formed a portion of the original buildings". Now demolished.

Rochford Tower.

Shodfriars Hall.

The caption in the book said this house belonged to the Robinson family and Pishey Thompson says "There are several ancient brick houses in Stanbow Lane among others one which belonged to the Robinson family, formerly of great distinction and influence in this place. An immense open fireplace, and other marks of antiquity, yet remain in a room at the back of this house". Now demolished.
The Stump.

The ThreeTuns in the Market Place, Oliver Cromwell is said to have slept here the night before the Battle of Winceby in the English Civil war. Now demolished.

The old Town Bridge.

The White Horse, White Horse Lane, Now demolished.

Wednesday, 17 November 2010